Entry no.: 1179

1 Nov 2010, 11:27 AM

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Movies The making of Blade Runner’s opening sequence Hades Landscape

Doug and his Entertainment Effects Group team created thousands of acid-etched brass miniatures lit from below with hundreds of bundles of fiber-optic lights, shot in forced-perspective through layers of smoke to create layers of light refraction. [...] Explosions were created through massive pyrotechnics shot in the California desert for a discarded sequence for the 1970 Michelangelo Antonioni film Zabriskie Point.

Watch Douglas Trumbull recount the epic creative effort behind Blade Runner's special effects.

Life was spectacular before computers.

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